- Big pile of Joseph Lincoln and a raft of spider-man graphic novels. #
- Pazzo & @HILOBROW Podcast part 1: http://hilobrow.com/2010/03/04/podcast-episode-2-part-1/ with @otolythe #
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March 5th, 2010 § 0
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February 26th, 2010 § 0
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February 19th, 2010 § 0
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February 18th, 2010 § 0
Fri Feb. 26 at 6:45 until around 8:30 we’ll be recording episode 2 of Parallel Universe: Pazzo a Hilobrow.com event. Live theremin with the dazzling but shadowy Peggy Nelson, drinks, special guest readers, certain doom! Also, enjoy the hilobrow.com microfiction contest – the winner, of 225 some odd entries, will be read at the podcast!
And join the facebook group!
February 18th, 2010 § 0
Fulfillment by Amazon (FBA) is a program wherein booksellers are encouraged (or, more recently, bribed) to send inventory to Amazon for fulfillment. The idea, apparently, is to maximize Amazon’s enormous economies of scale and efficiencies at order fulfillment while cornering the market on inventory without spending any money on it (beyond the rebates for inventory sent in from January to March 2010).

It’s pretty genius, because, for example, even though I’m fully aware that this is an insidious attempt to corner the market on bar coded (only books with an external bar code are eligible) books, we’re going to send in 1,000 or so to see how it works (we’re also excited to have a reason to clean out our increasingly unmanageable basement). What’s interesting from a pricing standpoint is that the downward pressure on prices might actually be mitigated, initially, by FBA. Because you’re able to take advantage of free shipping and Amazon’s Prime program, most book prices in the FBA will start $4 or so higher than the lowest current price. What is less clear is what happens after.
Profit – after Amazon fees – for a book priced at $4 is around $1.3 (depending on weight, it’s .83 for a 2 pound book). Narrow margins to be sure, but still considerably better than all those people selling books for .01 (who make, with luck, a tough quarter, after the shipping allowance). What’s interesting is the time factor with the program. Merchant’s are charged, by the cubic foot, for the warehouse space they consume – it’s a pittance, a penny or two a book, per month. However, as the inevitable pressures that drive normal books on Amazon down to .01 exert themselves on the FBA inventory, it will drive books (and has already driven shocking numbers) down past the break even line – approximately $2.60 for a paperback. At this point, any book that sells actually costs the merchant money. So why do it, eh? Two reasons – the first is the widespread madness that infects Amazon sellers and continues to prove difficult to measure adequately or explain, but the second is that to retrieve your inventory costs around .50 per book. Not bad, really, unless you’ve sent 50,000 units to Amazon and 20,000 of them have dropped below the break even point and it will cost you $10,000 to have your demonstrably worthless inventory returned to you – so the new break even point is .50 cents below this – maybe $2.10 – where it still makes sense to have Amazon sell it, because you’ll LOSE less than having it returned. I will be watching to see how many books with the “Fulfilled by Amazon” stamp fall below this threshold – it’s an intriguing irrationality test.
February 13th, 2010 § 2
Anyone with any information on how this thong got featured on the rear cover of the 30th Anniversary edition of Robert Traver’s Anatomy of a Murder, please share.

What’s odder (perhaps not odder, but also odd, anyway) is that the stills on the back are from the 1959 movie, so the copyright info has to be from the thong photo. Curiouser and curiouser.
February 12th, 2010 § 0
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January 31st, 2010 § 1

The first episode in its spine tingling entirety! Introduction by Josh Glenn!
Here it is: the first episode of “Parallel Universe: Pazzo,” Hilobrow.com’s Radium-Age Science Fiction podcast, recorded every month (as of January ’10) at Pazzo Books, here in Boston. Below, you’ll find an introduction to Radium-Age (roughly, 1900-35) science fiction, about which I’ve written a series of posts for Gawker’s sci-fi blog io9.com. Our podcast’s inaugural episode is devoted to Radium-Age mechanical and quasi-organic humanoids, which is to say, to ROBOTS.
Transcript of my introduction to the 1st episode:
The term “robot” was introduced in Karel Capek’s 1921 play R.U.R.: Rossum’s Universal Robots. The Czechoslovakian play, from which the TV show Dollhouse took the name of its sinister corporation, is set in a [probably American] factory of that mass-produces biological humanoids designed for blue-collar occupations. The term “robot” from the Czech word for “serf labor.” These days, however, we’d call Capek’s creatures “androids,” not robots. However, [Radium Age] science fiction is replete with our kind of robot: electricity-, steam-, and clockwork-powered machine-men who — like the Industrial Revolution from which they sprang — promised either to free us from the burden of labor… or else destroy or enslave us.
Parallel Universe: Pazzo (1) ROBOTS by HILOBROW
January 29th, 2010 § 0
We’re auctioning off a copy of John Baskerville’s edition of Terence (Baskerville is best known for the eponymous typeface but also printed lovely editions of books in the mid-late 18th century).

Benjamin Franklin liked Baskerville’s typefaces so much that he brought them back to the U.S. where they were the font of choice for government print work. His edition of Terence is simple and elegant, wide margins, printed in Quarto, overall a very satisfying book to hold.

However, David Esselmont a bookbinder and printer at Solmentes Press directed my to pictures of his copy which has a hand-colored map of the Caribbean used as lining for the spine. So now I’m in the uncomfortable position of wanting to tear the spine strip off my book (don’t worry, I’ll resist).

January 29th, 2010 § 0
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January 25th, 2010 § 2
Next in our series from the January 15th taping of the first in a series of SF podcasts at the bookstore:
Ryan Mulcahy will read an excerpt from Thea von Harbou’s 1926 novel, Metropolis. Von Harbou and her husband, Fritz Lang, developed the scenario for Metropolis, then she wrote the novel (in German) while he directed the 1927 film. Set in a dystopian city-state, the book concerns the efforts of an industrialist to foment rebellion among his laborers, so that he can replace them with machines. His inventor, Rotwang, constructs a robot in the exact likeness of Maria, a woman who is both the conscience of the workers and the object of the industrialist’s son’s affections. Here, the son finds Maria — or is it Maria? — haranguing the workers.
January 22nd, 2010 § 0
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January 21st, 2010 § 0
In our continuing series of individual readings from the inaugural Parallel Universe Pazzo Podcast Tor Aarestad, local dilettante, crypto-anthropologist, and pastry enthusiast, reads from Ambrose Bierce’s Moxon’s Master.

Tor Aarestad and a theremin playing automaton.
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January 19th, 2010 § 0
Here’s the second reading from last Friday’s podcast with our friends at hilobrow.com where Pazzo’s very own me reads:

Tom Nealon reads at the Jan. 15 podcast.
Transcript of Joshua Glenn’s introduction to the 2nd reading (of the 1st episode):
Up next is Tom Nealon, who will read an excerpt from “The Last Poet and the Robots,” a 1934 story by A. Merritt. At the time Merritt was considered the greatest science fiction writer of the era, not because of his sometimes clumsy art nouveau style, but because of the grand sweep of his ideas. In this story, Narodny, a Russian superman who is both the world’s greatest scientist and its best poet, grows bored of a world in which all work is performed by robots. He retires, with a few chosen companions, to an underground lair where he experiments with advanced vibration technologies. But when the robots acquire intelligence and rise up, Narodny steps in.
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January 17th, 2010 § 0
Along with out friends at hilobrow.com, we (it was really local multi-media producer, cult leader, and bon vivant Josh Glenn) put together a podcast on Friday night that was a smashing success. The whole event with be available soon, but meanwhile, enjoy a taste as Matthew Battles reads from Neil R. Jones’s The Jameson Satellite!
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Matthew Battles and a theremin playing fembot.
January 15th, 2010 § 0
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